Mindset and access to info that others don’t have - Our community members see the end from the beginning and they set out doing this work from THAT mental picture. You can never outperform the mental picture you have for your music performance or music business. We offer personalized support through analyzing your music and brand to help you set up the foundational pillars of your money streams. Then you just continue to build upon it.

Yes because the first 3 modules of information will help you Protect, Register, and Finish your songs with all of the codes, metadata, and art, distribution outlets, mix and master engineers, lyric registration services, discography registration services etc., that you will need to make sure everything is buttoned up before pitching to B2B for licensing opportunities, and releasing B2C to fans. Also, all the contacts you need for media, playlists, publishers, music supervisors, and music instrument and software companies are right there for you to begin creating your game plan for the music when it IS finished. BEST PART, you will be a part of the community receiving the weekly video updates of new paying opportunities for music, Morning Mastermind emails and other special announcements only available to our members

No you can do it in about 2 to 3 hours a week or you can outsource the work out to a Virtual Assistant for about $5 per hour. We show you where to find them and how to set that up. There is no point in making songs if you or someone else is not submitting them to business opportunities for you.

If you can create a song, you can use these tools.

Yes, Total Access members get a private, dedicated email with access to our team for any questions. They also get the Free Personalized Email Consultation Deck with instructions for them to build the foundation of their business.

Yes. The entire point of Songs That Work is that even with thousands of streams, most indie musicians are not making enough money to live. We can and do have a section to show you how to get more people streaming, but that is not what we focus on. We focus on going after Business Budgets for publishing and licensing, as well as selling fans larger ticket items, which pay a ton more than streaming ever could. We also focus on getting paid for content creation and programming across a myriad of social platforms.

It’s not on the internet sadly, and the pieces that are, are not compiled and organized for you to easily grab and get to work. That is why we created STW. We compile our info from 20 years in the industry (relationships), working at two labels and two different music tech companies to give indie musicians a level of transparency to get into the game at a level that they previously have not been able to do.